The digital video mode 24p captures imagery more nearly the way motion picture cameras do. It opens up a world of possibilities for digital filmmakers. But aspiring to ‘film-look video’ involves more than just flipping a switch on your camera. The authors share the secrets of Hollywood-style production so you can give your movie a truly polished, commercial look. You won’t need to beg major studios for financing to finally turn your movie into a reality.
At last, you’ll be able to make your film, your way. “24P: Make Your Digital Movies |
|
Read more about this free ebooks:24P: Make Your Digital Movies Look Like Hollywood
|
Section I Basic Concepts Mobile multimedia is the set of standards and protocols for the exchange of multimedia information over wireless networks. It enables information systems to process and transmit multimedia data to provide end users with access to data, no matter where the data is stored or where the user happens to be. Section I consists of nine chapters to introduce the readers to the basic ideas behind mobile multimedia and provides the business and technical drivers, which initiated the mobile multimedia revolution.
Section II Standards and Protocols
|
|
Read more about this free ebooks:Handbook of Research on Mobile Multimedia
|
Chapter 1 reviews the fundamentals of real-time DSP funcitonal blocks, DSP hard-ware options, fixed-and floating-point DSP deviecs, real-time constraints, algorithm development, selection of DSP chips, and software development. In Chapter 2, we introduce the architecture and assembly programming of the TMS320C55x. Chapter 3 presents some fundamental DSP concepts in time domain and practical considerations for the implementation of digital filters and algorithms on DSP hardware. Readers who are familiar with these DSP fundamentals |
|
Read more about this free ebooks:Real-Time Digital Signal Processing
|
The purpose of Chapter 2 is to provide the reader with a detailed overview of low-level audio descriptors. To a large extent this chapter provides the foundations and definitions for most of the remaining chapters of the book. Since MPEG-7 provides an established framework with a large set of descriptors, the standard is used as an example to illustrate the concept. The mathematical definitions of all MPEG-7 low-level audio descriptors are outlined in detail. Other established low-level descriptors beyond MPEG-7 are introduced. In Chapter 3 the reader is introduced to the concepts of sound similarity |
|
Read more about this free ebooks:MPEG 7 Audio and Beyond Audio: Content Indexing and Retrieval
|
Chapter 1. Introduction to Video Compression Chapter 2. Why Video Compression Is Needed Chapter 3. What Are We Trying to Compress? Chapter 4. Film Chapter 5. Video Chapter 6. Digital Image Formats Chapter 7. Matters Concerning Audio Chapter 8. Choosing the Right Codec Chapter 9. How Encoders Work
|
|
Read more about this free ebooks:A Practical Guide to Video and Audio Compression: From Sprockets and Rasters to Macr
|